|
The Truth About Barcodes
by Janet Fisher - Goodnight Kiss Music, April 2002
Back to The
Academy
I see many places that offer one a "personal barcode" for a small amount of money (which is illegal,
by the way); or often a CD manufacturing company will offer an artist a "barcode with your OWN name"
as part of the deal. Let's talk about the ACTUAL barcode number, all right?
Where Do I Get a Barcode?
Barcodes are assigned from only ONE official place -- the Uniform Code Council. They issue barcodes to everyone
who intends to sell product(s). The barcode is ASSIGNED by the UCC, from a central database, so that all uniform
scanners at stores, etc., can "read" the information on the barcode, and report it to whomever the information
is relevant.
For example, SoundScan monitors albums sold retail, and that defines the charts, placements, awards, etc., or at
least is an influential part of the mix. Any monies owed or earned can be tracked through this universal system.
It is a world-wide, accepted identifier for you AND YOUR COMPANY.
Why Do I Need One?
As said above, it's the way a retail sale is identified, and sometimes wholesale sales, also. It is read UNIVERSALLY.
How Much is It?
A lot. About $750.00 last time I checked, but you can contact the UCC, and check the current rates.
What Does the Barcode Actually Say?
Sample of a barcode: 09789703563764
Four Basic Things:
1. The country identifier.
2. The COMPANY identifier (the name of the entity who purchased the barcode DIRECTLY FROM THE UCC.)
3. The specific PRODUCT number.
4. The verifier number.
In other words, the first number(s) identify the country the product is from -- in this case, the U.S..
The second set of numbers "say" GOODNIGHT KISS PUBLISHING.
The next set "say" MUSIC HORROR STORIES.
The next number(s) are the ones, when put to a UCC formula, show that the barcode is not "made-up" --
or consist of random numbers.
So? How Does That Affect My CD I'm Having Made at my Local CD Disc Maker/Replicator? They are Giving Me MY OWN
BARCODE FREE.
Well, yes and no, actually. The second number will identify the Disc-Replicator/Manufacturing company. Only the
next to the last set will refer to you or your CD.In other words, you will bear the name of the manufacturing company,
unless you provide that manufacturer with your OWN barcode, issued directly to you from the UCC.
Your "free" Disk Replicator company-assigned barcodes will read like this:
US- Bob's Cheesy Disk Company- Dan's First Album- number verified.
You think you are getting:
US- Dan's Record Company (or Dan Smith)- Dan's First Album- number verified.
If you don't believe me, pin them down specifically. Then ask for it in writing.
Only a number issued to Goodnight Kiss FROM the UCC will reflect the product to be :
US - Goodnight Kiss Publications - Music Horror Stories - number verified.
OK, Janet, Get Real -- I Need a Barcode, I Have a GREAT
CD, and I Don't Want to be Associated with Po-Dunk Replicators When People Scan the Code, and I Don't have ANOTHER
$750.00 to Invest in This CD -- is There ANYthing Else I Can Do?
This is kind of a backwards way to get a "record deal" -- but it is possible (especially if you have
a completed, with art and licensing, HONESTLY-COMPETITIVE-IN-ITS-OWN-FIELD CD that YOU had already planned to distribute
at regional record stores and gigs). Go to a small, Indy label that you RESPECT, and that your music is appropriate
for. Don't be desperate. Choose a company you WANT to be associated with.
Call the President of the label and see if you can strike a deal with them. They will be out very little, if you
come to them with finished product they actually like. You will both benefit from cross publicity, so have some
great promo plans in the works.
You can make a deal for "whatever" per sale of the CD to be on their label, if YOU handle everything
else about your record (wherehousing, shipping, promo, live appearances, radio station interviews and giveaways
-- all the things a label usually does that costs them lots of dollars).
You might stumble onto a mid-size label with actual physical distribution, where they might order "X"
number of CDs directly from you, though one rarely makes much money the first time out in this arrangement.
You might create or discover a lease situation, where the label leases the CD from you for "X" amount
of years, you serve as the physical shipper (sending disks to whomever the label asks you to, in a timely fashion).
Or perhaps you would advance them the disks, or ship direct to them upon their request.
You work it out. What are you giving -- what are you getting? What can you offer (besides a Great CD, in at least
YOUR opinon) that would entice them to associate with YOU?
The hard part is finding a small enough label to take you, but a large enough label to make sure you at least get
some visibility, if not some sales (or, as with our company, hopefully USES and sales).
Bear in mind, you originally only wanted a barcode that didn't read "Po-Dunk Records" -- now we are trying
to incorporate record deals! But, this IS a possible way to go. Then, at least when the barcode reads: "US-
Cool Records- Dan Smith's Album- verified number" you feel good about it!
As ALWAYS, this is NOT legal advice -- but rather my own opinion of what I might choose to do. Always consult your
attorney, and maybe your doctor, before you try my tips at home ...
-----
Janet
Fisher resides in the hills of Hollywood as the Managing Director
of Goodnight
Kiss Music (BMI) and Scene Stealer Music (ASCAP) Publishing
Companies.Janet is also co-chair of the New Writers Committee for the Songwriters Guild of America, where she also
serves on the Board of Directors for the Los Angeles chapter, and is a Voting Member of NARAS. |
|
|
Submit An Article for Consideration!
Would you like to submit an article for publication at MusicBizAcademy.com? If you have music-related expertise
you'd like to share with other musicians including career tips, how to's, or general music business-related articles,
please feel free to send them our way. We'll be glad to consider them. Submit your article! |
|
|
|
untitled
|
Follow The
Music Biz Academy
on Twitter. Get instant notifcation of new music promotion tips tips, music business articles, resources and news. It's all business, all the time.
Subscribe FREE...
to the Music Biz Academy newsletter! Music promotion tips, articles, site recommendations, and industry news will be delivered
to your inbox. Details Here.

How to Promote Your Music Successfully on the Internet
This easy-to-read guide to music promotion teaches you how to effectively sell your music online! Learn what works
and what doesn't from a musician who's now promoting music on the Internet full time! More....
Get Educated...
Master the Music Biz!
Online Courses. Many Programs. Learn Day or Night.
Details Here.
Our Top 20 Articles
21
Songwriting Tips How
to Write an Artist Bio Mastering
Your Music Improve
Your Press Kit Sell
Your CDs Online Performance
Contracts What's
a Record Deal About? Inside
Record Labels A
Legal Checklist How
to Write a Press Release Record
Distribution: 25 Tips Guerrilla
Marketing Tips How to Make a Living w/ Music Internship
Do's & Don'ts Starting a Music Business Reasons
Demos Are Rejected Artist/Band
Interview Form Facts
About Music Licensing Planning
A Radio Campaign Tax
Tips for Musicians
Lots
More Articles...

The Complete Guide to Starting
a Record Company
This
wonderful book guides you step
by
step through the process of starting up your own independent record label.
It
includes vital advice on how to retain lawyers and accountants, construct budgets, sign artists, navigate
artist contracts, find a distributor and how to develop and
execute an effective marketing plan.
More...
MySpace
Music Marketing With tens of millions of registered
users, MySpace.com has become a
godsend for countless independent artists. If you're not promoting your music on MySpace yet, you
need to start - right away. Everything
you need to know, including tips
and tricks, interviews with successful
MySpace bands, and how to fine-tune
your MySpace profile for maximum
punch. The perfect "how to"
guide for MySpace beginners, especially!
More...
Music Is Your Business
Christopher Knab and Bartley F. Day's expanded edition of "Music Is Your Business" is filled
with more insights into the business side of being a successful
musician or band. Included are chapters on both Internet and traditional
music marketing methods. The essential legal issues you need to
know are explained as are music contract tips, how to license your
music, attract
distributors, get radio airplay and create a
demand for your music. More...
How to Be Your Own Booking Agent
Jeri
Goldstein’s award-winning
resource for artists and musicians is artfully organized into 510 pages
of savvy advice, realistic methods and action plans for the performing
artist. The book is a step-by-step guide through virtually all aspects
of the music business. It's a fantastic resource, a MUST-READ and a
favorite here at the Music Biz Academy. One of the best, most in-depth
books written about how to run your own music business. More...
Guerrilla Music Marketing Handbook
This is your guide to independent music success secrets, featuring over 175 ways to thrive and prosper with your
own band or record label. Goal setting, networking, lists of distribution channels, offbeat promotional ideas.
It's all here! More....
The Indie Bible
With 350 pages containing over 10,000 contacts, including music reviewers and radio stations, The Indie Bible
is a resource for songwriters and musicians who wish to have their music heard, reviewed, or considered for radio
play. More....
All Content © 1996-2009 Midnight Rain Productions.
All Rights Reserved.
Privacy Policy |
|