|
7
Steps to a Successful Audition
by
Marco Kasel, Posted
August
27th, 2007
Back to The
Academy
I have been a musician since the age of 7 and in my career I've passed a larger
number of auditions all of which have taught me something. These days, however,
as the owner of a talent agency, I seem to be learning a disproportionate amount
more about these same auditions. There is something to be said about looking at
an issue from different perspectives.
In this article, I want to shed some
light on what an audition process looks like from the point of view of the
"auditioner" rather than the "auditionee.” I'll give you seven tips that will
hopefully help you prepare better for upcoming auditions.
I should
mention that my company hires musicians, bands, and variety acts for placement
on cruise ships and thus the auditions I'll talk about will mostly relate to
cruise line entertainment auditions, however, auditions for jobs outside of the
cruise line industry are very similar so this applies to just about any
musician.
Let me quickly outline the various types of auditions you can
encounter when applying for a job on a cruise ship. The most obvious type
would be the live audition, where you go to the audition location in person and
play what's asked of you. You may also be asked to record your audition on
videotape and mail it to the company. This is very similar to the first category
since you'd play almost exactly the same music. And finally, you may be
asked to submit a recording of your band or your solo act to the company. This
audition differs from the previous two in that you don't have to perform music
that the company provides, but rather your own repertoire.
There
are several problems that keep arising in regards to these different types of
auditions that have led me to compile the following tips.
1. Get the
details on the job description
This is one of the most important
steps. If you know exactly what it is that the employer is looking for, you
won't waste time, money, and energy presenting the wrong package. There is no
point in submitting a CD/DVD of your local blues band if the employer is looking
for a cover band that plays all kinds of musical styles. Similarly, there is no
point in applying as a clarinet player if the job description clearly indicates
that woodwind players have to play saxophone, flute and clarinet. Also, if
sight-reading is the main focus of the job you're applying for, there is no
point in hoping you'll slip by simply because you can improvise like Charlie
Parker.
2. Be flexible enough to present what's actually needed
Let's assume that you got all the details on the job description and
you realize that you don't exactly fit that description. It is probably wiser
for you to take some time to try to fit the description, rather than trying
anyway, hoping it'll pass somehow. Try to make changes to your line-up, add some
repertoire or start a completely new project that’s geared toward the job in
question. You want to avoid getting turned down, otherwise it may be hard or
impossible to establish credibility with the company you’ve auditioned for,
which in turn can ruin your chances for a future career.
3.
Audition only when you feel that you have a good chance of passing
Often musicians apply for a job they are not qualified for. Now, you
could argue that that's what auditions are for, and people couldn't possibly
know in every case whether they are qualified or not. I agree, all I'm saying is
that if the job description mentions that strong sight-reading skills are
required for example, musicians should ask themselves how good their
sight-reading skills really are and be honest about it.
Being dishonest
about what your skills really are can hurt you in more ways than one. Let's
assume for a minute that you slip through the cracks and you end up in an
orchestra but you can't cut the gig. First and foremost, you'll be humiliated in
front of other musicians, you'll feel uncomfortable, you may actually feel
guilty for not being able to do the job, and you will get fired on top of it,
which will most likely kill your career before it has begun. (This happens all
too often...)
So if you are unsure about whether you are qualified or not,
ask questions. Call the agency you are about to audition for and ask specific
questions that will help you get a good picture of the job you're about to apply
for. With that knowledge you can always postpone the audition and work on the
skills that you may feel you're lacking.
4. Put some time and effort
into preparing your best possible package
This applies to bands,
small ensembles, and solo entertainers. Often artists get turned down, not
because they are bad entertainers, but because they didn't supply a package
that's appealing, that can be viewed quickly and that presents exactly what was
asked for in the beginning. Often this happens because the artist already has
some demo laying around that could kind of qualify but not really, and instead
of modifying it or recording a new one that fits the specifications, they send
it in anyway.
Usually, demo packages include the recording itself, which
should present the exact repertoire you're planning to play on the gig, a short
resume of each member, and a list of your repertoire.
You won't impress
people with fancy DVD animations or 12-page resumes, but rather with short
examples of the repertoire that's asked of you, played with energy and skill.
5. Try to impress with your playing, not with your resume
I would say 7 people out of 10 probably fall under this category.
Simply put, a masters degree from the best school in the country won't get you a
gig if you can't play, yet all too often do people try to sway the decision in
their favor by mailing in overly long resumes stating all the famous people
they've played with. You're doing yourself a disservice if you hype yourself up
with your resume and you can't back it up later during the audition.
6. If you fail, accept the criticism and use it to prepare better
for your next audition
All the practicing in the world may sometimes
not be enough to pass an audition. If that's the case, accept the reasons that
you're given by the jury, and go home and practice those specific things. If
they aren't forthcoming with specific reasons, ask questions. I think it's only
fair that a jury tells you what your weaknesses are if they turn you down.
I'll spare you the details of all the things we've heard from people that
have been rejected. Just watch "American Idol,” and you'll get a good idea of
what we go through sometimes.
7. Be honest about your strengths and
weaknesses
This step ties in with step #3. Keep in mind that the
ideal candidate for a job is not always the best musician. Other qualities like
honesty, work ethic, respect for others and inter-communication skills, amongst
others, are qualities that you're being judged on. Weaknesses you've been trying
to hide prior to the audition will come out during the audition and will speak
volumes about your character. Would you hire a dishonest person?
A lot of
candidates don't bother to cancel their audition if they can't make it! This
leaves a very bad impression. Companies like to know that they can rely on the
people they hire, not to mention that there should be mutual respect between the
two parties. All candidates that fail to notify us (at Oceanbound Entertainment
Inc.) of their cancellation will be blacklisted, and won't be given another
audition slot.
Those are my seven steps to a successful audition. I
hope that some of you will find this information helpful. Please visit my
website for more information on the subject of "Music on Cruise Ships.” Contact
me if you have questions or if you'd like to audition.
-----
Marco Kasel is a musician and business owner. More
articles can be found on his blog (http://blog.oceanbound.ca/blog/) or on his
website www.oceanbound.ca |
|
|
Submit An Article for Consideration!
Would you like to submit an article for publication at MusicBizAcademy.com? If you have music-related expertise
you'd like to share with other musicians including career tips, how to's, or general music business-related articles,
please feel free to send them our way. We'll be glad to consider them. Submit your article! |
|
|
|
untitled
Free Subscription to
The Music Biz Digest!
Promotion tips, articles, resources and news delivered to your inbox. Subscribe Here!
How to Promote Your Music Successfully on the Internet
This easy-to-read guide to music promotion teaches you how to effectively sell your music online! Learn what works
and what doesn't from a musician who's now promoting music on the Internet full time! More....
Our Top 20 Articles
21
Songwriting Tips
How
to Write an Artist Bio
Mastering
Your Music
Improve
Your Press Kit
Sell
Your CDs Online
Performance
Contracts
What's
a Record Deal About?
Inside
Record Labels
A
Legal Checklist
How
to Write a Press Release
Record
Distribution: 25 Tips
Guerrilla
Marketing Tips
How to Make a Living w/ Music
Internship
Do's & Don'ts
Starting a Music Business
Reasons
Demos Are Rejected
Artist/Band
Interview Form
Facts
About Music Licensing
Planning
A Radio Campaign
Tax
Tips for Musicians
Lots
More Articles...
The Complete Guide to Starting
a Record Company
This
wonderful book guides you step
by
step through the process of starting up your own independent record label.
It
includes vital advice on how to retain lawyers and accountants, construct budgets, sign artists, navigate
artist contracts, find a distributor and how to develop and
execute an effective marketing plan.
More...
MySpace
Music Marketing
With tens of millions of registered
users, MySpace.com has become a
godsend for countless independent artists. If you're not promoting your music on MySpace yet, you
need to start - right away. Everything
you need to know, including tips
and tricks, interviews with successful
MySpace bands, and how to fine-tune
your MySpace profile for maximum
punch. The perfect "how to"
guide for MySpace beginners, especially!
More...
Music Is Your Business
Christopher Knab and Bartley F. Day's expanded edition of "Music Is Your Business" is filled
with more insights into the business side of being a successful
musician or band. Included are chapters on both Internet and traditional
music marketing methods. The essential legal issues you need to
know are explained as are music contract tips, how to license your
music, attract
distributors, get radio airplay and create a
demand for your music. More...
The Music
Phone Book
The
Music Phone Book lists detailed contact information for over 10,000 live music clubs and venues (More than any other
magazine) in the U.S. Also listed are over 1,800 independent and major record labels, nearly every national
touring artist, and thousands of music contacts that can't be found anywhere
else. More...
Guerrilla Music Marketing Handbook!
This is your guide to independent music success secrets, featuring over 175 ways to thrive and prosper with your
own band or record label. Goal setting, networking, lists of distribution channels, offbeat promotional ideas.
It's all here! More....
The Indie Bible
With 350 pages containing over 10,000 contacts, including music reviewers and radio stations, The Indie Bible
is a resource for songwriters and musicians who wish to have their music heard, reviewed, or considered for radio
play. More....
All Content © 1996-2008
Midnight Rain Productions.
All Rights Reserved.
Privacy Policy |
|
